fons@xxxxxxxxxxxxxxx wrote: > On Fri, Sep 03, 2010 at 06:48:02PM +0200, Jörn Nettingsmeier wrote: > >> impressive. loved the virtual sellotape on the recording room door :) Sorry, but the door texture (including the poster) was a real photograph of the real door of the recording room, also the surrounding stones. I just had to recreate the door latch. > I loved the sound of the stone moving. How was it made ? Hah, that was easy: Two brick stones, moving on each other with a bit of force. The opening stone was original pitch (but with an equalizer, multiband eq by steve harris, settings 100Hz +5.1dB, 156Hz +15.3dB, 220Hz +17.3dB, 311Hz+7 dB, 3500Hz -12.2dB, 5k -7dB, 10k -14dB...), followed by GVerb, roomsize 123 m, rev. time 4.2s, dry -17.8dB, early -18.5dB, tail -10dB (well, I could have decreased the channel gain, but I ended here). The closing stone was slowed down by a factor of 2 (but with the same plugins, it was the same track). > >> next time you meet for a recording session, would you mind me >> crashing the party with an ambisonic mike in the middle? > > Again same here :-) If ever you are near to Parma I won't hesitate > to load my car with some fancy recording gear and have a go at it. Our original plan was to make the recording in Italy (with nice weather, having a good wine after work, in a nice church or castello), it was just because of budget and time limitations that we did it more to the north. But I am sure we will come to Italy sooner or later, this music very much belongs to that place... - Giso _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user