On Tue, Apr 06, 2010 at 08:20:12PM +0200, Arnold Krille wrote: > On Monday 05 April 2010 20:48:03 Atte André Jensen wrote: > > Ken Restivo wrote: > > > Of course there is.... JAPA does exactly what I want. > > Thanks for asking the question and letting me discover japa, very > > useful, I think I'm gonna be mixing with that running the next times! > > Please don't use it while mixing. > > Music is for ears, not for eyes. There is no point in a flat line in japa > produced by your music when it sounds like sh*, has flat voice, mistuned > instruments and sloppy rythm. > > Use it to analyse your final mix in the beta stage. Use it to measure (and > correct) your listening environment. Use it to train your ears with music of > others. > But please don't use it for mixing music. As Japa's creator I do agree with this. You *can* use Japa while mixing, but indeed don't make the mistake that a 'flat spectrum' is a target to go for. It isn't. And Japa has more than one idea of what constitues a 'flat spectrum' anyway. Japa is a tool like any other, and if I may say so, a good one. But *you* have to learn and use it, it is not a substitute for training your ears, and for being able to listen critically. Ciao, -- FA O tu, che porte, correndo si ? E guerra e morte ! _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user
