fons@xxxxxxxxxxxxxxx wrote: > On Wed, Jan 13, 2010 at 05:53:10PM -0500, frank pirrone wrote: > > >> Wouldn't that be in the key of E, Fons? If so the F# is the II chord, >> which would typically resolve to the IV, or B7 in that key. That >> wouldn't be a modulation, it would be a "turn-around," and especially so >> since the progression continues on with another E. >> Fons, Oops on that IV typo - I actually learned to count to five a long time ago. That little progression fragment I cited should have been II V resolving back to I. Anyway, the chord structure for that entire song file you sent are: Em Em G G F F C C Em Em G G F F C C Em Em G G A A B B Em Em G G F#7 G Em Bb B7 F#7 B7 G Em Em G G F F C C Em Em G G F F C C Em Em G G A A B B Em Em G G F F F F F F F F F/E F/E F/E F/E F/E F/E F/E F/E F/E F/E F/E F/E E E E E E E E E E E E E with each line being a 4/4 measure and each chord being struck on the beat, or in the case of those doubled up at least struck the first time and held for the second. I'm pretty sure of everything through the Fs at the end, and believe I hear the bass drop into the dissonance of that add E against the F chord before the whole thing resolves triumphally to that glorious E major at close. Frank _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user
