Viktor Mastoridis wrote: > Yes, I join the chorus of the others in enjoying this piece of Prog > rock. The organs are really amazing, as well as the sound of the > acoustic guitar - nice and clean and natural. > > I personally like the 'eastern' hint in the melody and the attention to > detail in the structure and performance of the composition. Nothing is > left to chance (I like formality in music, I guess:-) > > What I only personally miss is in the production domain (I downloaded > the flac) - it seems to me that there are not enough low frequencies in > the overall mix - I don't know how were you doing the master track, but > more bass presence (50-250hz) would give a warmer as well as more > contemporary feeling, I believe. > > > -- > Viktor Mastoridis > Music-o-Graph > & Educator > www.MediTera.Co.Uk <http://www.MediTera.Co.Uk> Hello Viktor Thanks for listening and commenting. And not just listening, but obviously listening closely, carefully and intently, too -- it is appreciated. As I've mentioned in other replies, the "Hammond" is NI B4 II, which I picked up really cheap recently after Native Instruments announced its discontinuation, to be replaced by a sampled instrument (I can't understand how that will work well for something as complex as a Hammond). BTW, if you're interested, Dolphin Music and DV247.com in the UK were selling it at ~£64 -- everywhere else still had it at full price. And Aeolus, well, it's just superb. I've never found anything like it for Windows, without shelling out serious amounts of money for large sample sets, which I can't think would be anywhere near as versatile. Yes, the double harmonic/Arabic/Byzantine scale, plus the very similar Phrygian Dominant used in the final part, is very interesting and does have an "exotic" (to my uneducated, English ears) and Eastern tinge to it. Plus it easily gives rise to several tritones and if they're good enough for King Crimson (and Satan himself in the Middle Ages), who am I to complain! Thank you for your kind words and also for noticing the attention to detail -- I don't consider myself at all knowledgable about, or skillful with, music and I'm never sure whether the details I obsess about are really that important or worthwhile bothering with. I've heard people say that knowing how pieces are played, or how they were recorded, or analysing them in depth, detracts from the enjoyment. For me, being able to disentangle a mass of sounds into parallel streams, think about how each instrument is played, recorded, processed... it all adds to my appreciation and hence my enjoyment. Often my reasons for doing things the way I do is that I can't play any better or am too lazy to try, but ultimately that's still an artistic choice, for better or worse. As I alluded to in my first post, I've done no mastering/post-processing. The four sections are spread over three Ardour sessions (recorded at 44.1 KHz), each of which was mixed and bounced down to a stereo, 32-bit float WAV. These were then placed in a fourth Ardour session, which was bounced down to a 16-bit WAV, with no processing besides running the TAP Scaling Limiter on the master bus to raise the level by 6 dB. If I were to run through JAMin, which I will do at some point in the future, I would almost certainly put at least some mild compression on the low end to bring it all up a bit in level. I don't have a subwoofer (plus I know my monitors aren't that great right at the bottom end), so I tend to be pretty conservative about bass i.e. I highpass reasonably high, certainly no lower than 50 or 60 Hz on bass and kick drum only, higher up on other instruments, much higher on certain ones and don't tweak EQ very low down. Ultimately, I'm not really bothered at all about sounding particularly contemporary (I consider 70s production values to be, on the whole, neutral sounding, timeless, classic and good) but I'll try experimenting with bringing up the low end a bit more. Once again, thanks for your careful consideration of it and apologies for my lengthy ramblings. Q _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user
