Julien Claassen a écrit : > Hey everyone! > Ive got a few questions/assumpotions, i'd like to have your opinion about. > Clarification: I don't use GUI, because I can't. I have to go by ear. > Equalisation; Assume using Fons Adriaesen's LADSPA EQ (filters.so Unique ID: > 1970). [...snipped] > Doing compression on filtered bands: I again go for bass, mid (rhtym > instrument and perhaps main voice) and high (lead sounds and all the > overtones). Again I choose based on the key of the piece. Good choice? About > compression: I usually have high compression ratio on the bass (as a starting > point), mid ratio on the mid range and a high ratio again on the overtones. > Good starting decision (assuming a basic pop/rock setup: bass, drums, rhythm > instrument, voice and lead)? Or should I go for the peaky instruments? Just an idea (non tested!) on compression at mastering time: assuming a mapping from voices to bandwidth may sometime be not relevant: that way would cause compression issues on stereophonic takes (piano, cymbals overheads, any ambiance pair). May be switching from the R+L master to an M+S working copy (non-destructive) would help to isolate accurately instruments and apply compression on the M track only ? This is an open question. (*) M = (Left + Right)/2 ; S = (Left - Right)/2 - ben _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user
