-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 Brett McCoy wrote: > On Mon, Aug 4, 2008 at 3:10 PM, rosea grammostola > <rosea.grammostola@xxxxxxxxx> wrote: > >> First: I have changed my email adress a while ago and I try to use this >> emailadress instead of schoappied now. My real name in real life is Dirk. >> >> >> Can someone tell me if there is difference between F7 and Fmaj7, what is >> that difference theoretical spoken? > > Fmaj7 chord has 1 3 5 7 > Fmin7 chord has 1 b3 5 b7 > F7 (dominant 7th) chord has 1 3 5 b7 > > -- Brett ...and since this was a pretty basic question let me focus on just one difference between the two chords: the half-step between the dominant 7 and the major 7. The word major in that chord's name indicates that the seventh note in the scale is raised a half-step over the same chord without that designation in the name. Same applies with a Major 9th chord - the seventh is again a half-step higher than in a plain 9th Frank -----BEGIN PGP SIGNATURE----- Version: GnuPG v2.0.9 (GNU/Linux) Comment: Using GnuPG with SUSE - http://enigmail.mozdev.org iEYEARECAAYFAkiXWckACgkQhIzUKCTXcU2CcgCeLIuN+3VGKrVOXDphYFui/snF V5oAoKmuIYDlXSCtu9b2M02JNuYPf4hy =8oG5 -----END PGP SIGNATURE----- _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo/linux-audio-user