On 8/5/07, Andrew Gaydenko <a@xxxxxxxxxxxx> wrote: > Hi! > > If I understand well, from "our ears point of view" correct panning > implies (at least) two jobs: > > 1. intencity differentiating for left and right channels, > 2. time delay in accordance with a human head geometry (with > probable filtering to emulate a difraction). > > Distancing (well, I don't know appropriate english term, I mean > placing a virtual sound source at given distance form listener), > I think, implies appropriate use of reverberations. > > Existing stereo-practice (I mean both recording and listening) seems > not to be sutable for reproducing a sound field. Nevertheless I hope > there are some tips to obtain the best result at current audio > stereo-chain (mic - ... - loudspeakers) conditions. > > Can anybody supply some links to (free published) articles concerning > the issue? It would be interesting when we have, as a starting point, > clean (i.e. using near field single mic) mono record. > > I'd want to accent, I'm interested in *stereo chain* only rather in > multichannel (>2) systems. I'm sure such panning/distancing technics > exists as I have listened to Chesky test tracks. > > Of course, I'll be glad to see less theoretical :) LADSPA-way tips > also! > > Hi Andrew, I'm not sure if this will help much, but here is a link to a bunch of free articles about recording, mixing, mastering, etc. Hopefully there may be something in here that will address your question in a general way... http://www.theprojectstudiohandbook.com/directory.htm -TimH _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/mailman/listinfo.cgi/linux-audio-user
