One of the 'Duets in Odd Meter' was used as an interval signal for a
pirate radio station in New England... the station was short lived of
course :-)
I'm glad you replied... I was beginning to feel very errr... old... <heh>
later
vince
On Thu, 5 Apr 2007, david wrote:
Vince Werber wrote:
Silence ehhh??? That could be a windfall of bux...
I am sure that copyright of silence would include every CD that has
'silence' between any grouping of different tunes... There IS money to be
made here!!! So much for the 'art factor' of such things...
Was it too long ago when a 9th chord was considered 'way out there' even in
jazz??? It wasn't all that long ago but today a jazz piece without a 9th
would be considered odd... hmmmm... what makes that...?
Let's all make music in pure sine waves... I know it has been done but has
it been taken to it true point of the art???
Has anyone every heard and album by Dick Hymen on the synth? It was on
Command records and in the 60's if I remember correctly. I enjoyed that
album but it failed in commecial circles so I guess it must be art...
IMHO, it failed in commercial circles for a couple of reasons:
* No one singing (that seems to be a near-unanimous requirement for
commercial success)
* Outside of The Minotaur, the songs are nice but not particularly standing
out.
He also used scales that broke down our common worldly scales into much
smaller pieces...
Yes, I have that album here. It's called Moog. He didn't use many unusual
scales in it, although I recall one piece in which the notes in the scale
were a fifth apart. Also, he finishes the album with three short pieces
grouped under the title of "Duets in Odd Meters," where he was doing things
with uncommon meters.
Keith Emerson played "The Minotaur" as part of his extended solo on ELP's
live album, "Welcome Back, My Friends, to the Show That Never Ends." He never
gave credit to Hyman, rude fellow.
--
David
gnome@xxxxxxxxxxxxx
authenticity, honesty, community
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