On Wed, Oct 04, 2006 at 09:13:16PM +0100, Folderol wrote: > > http://www.archive.org/details/theres_a_girl > > The earlier instrumental section seems to have a distinctly > Oriental/Asian feel to it. Whereas the song itself seems more > African influenced. Interesting. Both came into being by just 'noodling' over what was already there until it felt right. I would hope it doesn't need explanation, but the lead in the first part is meant to represent the girl. So a clearly different feel is good :) Perhaps I used a pentatonic scale. The lead is doubly doubled, with one octave down and up, and +7. The later might be part of a possible oriental/asian feel. > I'll have to listen to it some more, but I think I agree with other > comments that the lead-in is really on the long side. I wonder if the > song could be partly overlaid on this? Just a thought. You mean the singing overlaid on the instrumental part? No way. Different roles. Nobody dares to get in the way while it's the girl's turn. Oh, and my voice and Om arn't in the same tuning, it seems ;) > I find the whole piece unusual enough to be interesting, without > jarring. I suppose you could call the song itself 'soft' rap. Cool, thanks for your comments :) -- Thorsten Wilms
