"Joseph Dell'Orfano" <fullgo@xxxxxxxxxxxxxx> writes: > I am looking for some engineering know-how and advice. Then you should check out: irc://irc.homelien.no/%23musicdsp (efnet) and it's mailinglist music-dsp. Also check out the rec.audio.pro newsgroup. Many enthusiasts and recording engineers there > Should I track at 44.1 kHz, 48 kHz or 96 kHz? The higher the better. Even with 192kHz you're not creating a correct digital representation of the analog signal. Nyquist says 2 times the highest frequency, but this still has some problems. > recording his album at 44.1 kHz, arguing that this will avoid > downsampling when finally pressing a CD. Sure, but this shouldn't stop you creating the best possible fidelity in your recordings. > I am contemplating the addition of an outboard digital effects > processor to take some load off my CPU. Not advisable; rather invest in processing power where you can use free software algorithms. > Most units (less than $1000) with s/pdif are 44.1 and 48 kHz, so > they would not work (I don?t think) with digital audio recorded at > 96 kHz. Another reason to stay away. -- Esben Stien is b0ef@e s a http://www. s t n m irc://irc. b - i . e/%23contact [sip|iax]: e e jid:b0ef@ n n