--- "Brett W. McCoy" <idragosani@xxxxxxxxxxxxxxxxxx> wrote: > Say I have 3 or 4 songs that I want to have segue > into each other (i.e., > like on most prog rock concept albums where each > song flows into each > other rather than individual tracks that are > separate). Each song is > recorded in a separate session, since each has > different > instrumentation, tempo, atmosphere, etc. Maybe I > want to have some wind > or sound effects or something also as part of the > segue, so one song > fades out to wind while a second song starts while > the wind is still > blowing (yeah, yeah, I know, how cliched). > > Now, from here, maybe my next step would be to do > initial mixes of these > tracks to stereo WAV files, and then I build a super > session and import > the WAV files and build a playlist with the tracks, > so I can get flow > between the tracks the way I want, set crossfades, > seques, etc. One track/playlist with all stereo mixes on it. At this point you can easily build multitrack seques and route them and stereo mixes to the Master bus which routes to JAMin. Then add a second Ardour bus, name it jam-return, and route JAMin into it and route jam-return to your playback ports. Then > perhaps I master these tracks via Jamin so I can get > a good sound level > balance between the tracks, and then record this > output back into the > Ardour session as a final mixed and mastered > sequence, An alternative is to Export Range rather than record into a new track. It eliminates the record pass and Export/freewheel is faster than realtime. The drawback is that after leaving realtime priority for freewheel the realtime priority is lost. You have to restart jackd to get realtime back. It sucks bad but isn't a big deal in this case because you've produced the final product. Having produced the final product, I like to visually view and listen to it using Rezound. It has excellent visual clip indication. It is not acceptable to have even one clip. To address that concern, you can set the JAMin limiter to -0.02. If you plan to produce an .ogg then you'll need to hold the amplitude around -0.05 because oggvorbis encoding, much to my dismay, increases amplitude and will create clipping in an otherwise perfect file. As a last note, you could use the LADSPA OSC plugin to automate scence changes in JAMin. This works but for several reasons is really more a proof of concept implementation. Reguardless, it is awesome and eventually internal OSC should be implemented into Ardour. Great stuff! That's a couple things to consider. You really do have the right production concepts. ron and thence onto > the DAO CD mastering (where I probably would put in > track markers with > zero gaps). > > Or, would I perhaps want to do some pre-mastering of > the individual > multitrack sessions first, and then mix down to > stereo WAV and then > build a playlist out of the pre-mastered tracks, > then back through Jamin > for final audio mastering, recording this back into > Ardour, and then > finally off to the CD mastering step? > > -- Brett > > __________________________________ Do you Yahoo!? Take Yahoo! Mail with you! Get it on your mobile phone. http://mobile.yahoo.com/maildemo
