On Thursday 14 July 2005 11:45, Juhana Sadeharju wrote: > How important it is to have the original Mellotron sounds? > Mellotron is well known from songs like White Satin (by who?) but > the guy recorded his own violin sounds. Why would we be happy with > the factory sounds if he was not? I don't think most people who are interested in the Mellotron sounds are hoping to do a cover version of Nights in White Satin (by the Moody Blues.... the keyboardist at the time being Mike Pinder, who put his name on a Mellotron sample CD that you used to be able to get for about 200 bucks.) Nothing else sounds like the Mellotron strings and choir sounds. People who just try to imitate it using synthesis or even recording actual string sections or choirs don't "get it"..... the idea isn't to sound good or realistic, it's to sound like a Mellotron. I made a Gravis patch a few years back out of samples I found on someone's mellotron fan page, which I used in some of my later pre-Linux doodling found at http://www.kudla.org/mymusic/ . I'd distribute the .pat but I really have no idea what the copyright situation is and I don't want to taint anyone's collection. My stuff is pretty awful (and nascent) but you can probably tell that I'm trying to use Mellotron sounds to get a surreal, lo-fi thing going. Rob
