On Fri, 29 Jul 2016 19:43:34 +0200 Ralf Mardorf <ralf.mardorf@xxxxxxxxxxxxx> wrote: > Composing note by note is the only way, because a musician wants to > play within a scale, but also to borrow notes from another scale. The natural way for me is simply to not know about scales so much to start with. Then I can play anything and see if it sounds good. After playing against a backdrop for some time, a pattern are made. Those notes sounds good. OK. Now, in which time slice would it be possible to get out of this pattern of notes and venture a note that could sound otherwise not so good ? And in doing so, what possible emotional draw can it have ? This is good for everything. I use the same approach on guitar, keyboard, acoustic bass. _______________________________________________ Linux-audio-user mailing list Linux-audio-user@xxxxxxxxxxxxxxxxxxxx http://lists.linuxaudio.org/listinfo/linux-audio-user
