Le 10/11/2015 11:26, Louigi Verona a écrit :
Hey! I did not like the drums in the beginning, in the middle of the tune it was more in context.
I agree actually. I did not know exactly where to put this rhythmic part in 6/8 style, so i inserted it near the beginning without to mean it really.
The astronaut vocal is way too loud and intrusive. Also, these voice recordings are way too harsh and not only I would make them at least 50% more quiet, I would dull them a bit and take out the harsh high frequencies.
I was so used to listen to it during editing, that i did not mention the voice was too loud.
Thank you for your listening and useful comments. I will re-edit the project file a more polished way next days, then.
- Ben
On Tue, Nov 10, 2015 at 1:04 AM, Benoît Rouits <brouits@xxxxxxx <mailto:brouits@xxxxxxx>> wrote: Good evening list, Again, i would like to share with you a space/ambient piece composed under Linux, but also which a friend of mine collaborated to, with percussive sound effects she made on a M$ OS with some idontknowwhatsoftware®. It was made last year, but i think i did not mention it on the list, until now. This was my first collaborative experience and i liked it, we made 3 version, but this one is my preferred [1]. The body of this piece [2] is very simple: seq24 controlling 2 voices (3 in fact): one is zyn on the bass (plus some bleeps), and the second is a custom amsynth patch (the lead voice). All that recorded with timemachine, then edited with audacity to add the percussive effects my friend made. Then i overdubbed it with an edited recording of a Mercury7 mission voice from the NASA (freely available on archive.org <http://archive.org> [*]). [1] the full version: https://soundcloud.com/brouits/d-sert-nina-kardec-collab [2] the vanilla seq24/zyn/ams version: https://soundcloud.com/brouits/desert-second-take [*] Scott Carpenter voice only: https://ia801408.us.archive.org/28/items/Mercury7/462-AAG.flac Hope you will enjoy it, with big loudspeakers (some sounds are very low and at low frequencies). This piece yields me to a question: where does the musical discourse lie between the synth sounds and the astronaut's voice ? Cheers, - Ben -- Louigi Verona http://www.louigiverona.ru/
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