On 06/01/2015 08:12 PM, Glen MacArthur wrote:
I'm in the middle of building a new recording studio and soon will be
starting to rough-in the electrical wiring, the studio is not very large
but will have a separate uncoupled control room and a studio
floor/rehearsal space. I'm curious what the prevailing wisdom is on using
shielded wire (or metal conduit tubing) for the electrical wiring..
I'm in Canada where we use 120V AC, the wiring options are 'Romex' which
is regular jacketed house wiring with plastic insulation, next option
would be 'BX Cable' which is insulated wiring in a flexible corrugated
aluminum shell, and the last option would be metal conduit which is
getting harder to find on the consumer market since PVC conduit has
pretty much completely replaced it.. So obviously the cost goes up
accordingly with each wiring type with Romex being the most affordable,
in my existing older studio I can't say that electrical noise has been a
big problem but it certainly is detectable when using single coil
equipped guitars and miking cranked tube amps with a few stompboxes
engaged. On the other hand this will more than likely be the last studio
I build so I want to do it once and do it right. ;)
Any recommendations? If I went with Romex are there certain tricks that
can be used to minimize potential noise? Or is this kind of thing
"majoring in the minors" and should time, effort and money be spent in
other areas of the construction or audio equipment?
There are many electrical engineering and construction principles,
techniques, materials, etc., that can be used to minimize noise in
electrical power distribution systems. Individual conductors/raceways
vs. cables, metallic vs. non-metallic, shielded vs. non-shielded,
twisted vs. non-twisted, etc., are just a few aspects. Others include
grounding/ bonding and isolation/ filtering. Also, mechanical treatment
of electrical apparatus to prevent vibration (anti-rattle plates,
wrapping electrical boxes with clay pads, etc.). And especially, good
craftsmanship.
Places to look for information include:
1. Physics (electricity, magnetism, electromagnetism, electrodynamics)
and electrical engineering (power systems, power quality) textbooks.
2. Electrical engineering, audio, recording, sound reinforcement, and
electrician handbooks.
3. Standards and publications (IEEE, NFPA/NEC, etc.).
4, Trade journal articles, equipment manufacturer white papers, etc..
If you're really serious about this, hire a consulting electrical
engineer knowledgeable in the subject to design and oversee the
construction of your studio, and hire a good electrical contractor to
build it.
A second related question: Is LED lighting better than CFL for noise? I am
aware that dimmers are always a bad idea so I will be avoiding them and
I'd prefer to use LED unless they are worse for causing noise..
1. The health hazards of LED lighting are only starting to be
understood -- eye strain, migraine headaches, sleep disruption,
psychological effects, etc.. (I only recently realized that my LCD
monitors were giving me headaches; the LED monitor is much worse than
the CCFL monitor.)
2. Flourescent lighting ballasts and LED lighting power supplies can
inject noise into your power lines as well as radiate electromagnetic
noise into everything and everybody in your studio. Currently
manufactured electronic/ electrical devices are going to have FCC/CE
ratings to mitigate this, but electric guitars and tube amplifiers,
especially if modified without EMI/RFI in mind, cranked up to very high
gain can be adversely affected and/or destroyed by EMI/RFI.
3. Line-voltage alternating current incandescent lighting (e.g.
old-fashioned 120 VAC light bulbs) should not create harmonics, but
there is still the 60 Hz fundamental.
4. Direct current lighting can create the least noise (depends upon
power supply and switching devices).
David
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