Those are all useful features that I'd like to see too. In a version 1 I'd be happy with a JAM dsp chain that recieves input from Ardour:master[L,R]_playback. Why? In one word, granularity. If the bass guitar is to loud in a mix, switch windows to Ardour, make appropriate adjustments, return to JAM and resume mastering the stereo image. There's no need to affect the entire range of the mix when one instrument is a problem. I think of this as two issues, problem fixing and mastering. MMMMM I like JAMIN, ron --- Jesse Chappell <jesse@xxxxxxxxx> wrote: > Mark Knecht wrote on Tue, 08-Apr-2003: > > > That said, I will spend some time perusing > there again, or if you want to > > point me to one that you think does cover these > things, like fades between > > two separate wave files, intergap & inter-track > spacing, track points > > defined within one wave file (used for defining > the start of a track inside > > of a single long performance, like a live take), > track names, I'd certainly > > be interested. > > There are several that can do everything you > mentioned with regard > to spacing and track points (gcdmaster w/cdrdao is > one), but I > haven't run across one that will do actual audio > processing like > complex fades or cross-fades as well. > > There are also a few features of such a proposed > tool that would > be nice for CD mastering: > * quick-jump auditioning between several points to > get a feel for perceived > relative levels on different tracks (ideally, > with very low latency switching) > > * integration with Steve's mastering toolkit (JAM) > to make this *the* > tool. I think that JAM should be implemented > plugin-based, > so that a GUI/diskIO tool such as this could > encapsulate all > the mastering needs, *but* other tools can still > make use of > it. > > just throwing stuff out.... > > jlc __________________________________________________ Do you Yahoo!? Yahoo! Tax Center - File online, calculators, forms, and more http://tax.yahoo.com
