On Fri, Apr 30, 2010 at 01:53:40AM -0700, Josh Lehan wrote:
> Hi! A few months ago, I posted about a program to send untimed MIDI
> data to the ALSA sequencer. Using amidi(1) wasn't acceptable, since it
> only talks to "RawMIDI" devices. Using aplaymidi(1) wasn't acceptable
> either, because it required .MID files, and I simply wanted to send
> untimed MIDI data, similar to what would be produced if you hooked up a
> hardware MIDI keyboard and just started playing.
>
> I needed something more general, that would simply connect to the ALSA
> sequencer, and let me send arbitrary MIDI bytes to a sequencer
> destination of my choice. Unfortunately, no program existed that would
> simply do this.
>
> I'm pleased to announce that I've written such a program, It's called
> MIDIcat, as it works on the same principle as "cat" and other similar
> programs (Netcat, and so on).
Nice, thanks for sharing this!
Daniel
>
> It hooks up standard input, and standard output, to the ALSA sequencer.
>
> This makes it easy to pipe data around.
>
> It's an ALSA sequencer client. Any data that is received on standard
> input will be forwarded into ALSA. You can choose another client as a
> destination, or you can just start the program passively and use ALSA's
> "subscription" mechanism to route the data later.
>
> Similarly, any MIDI data that comes from ALSA, will be forwarded along,
> and provided on standard output.
>
> This makes it easy to make many small "one-liner" command lines that are
> useful for testing and playing around with MIDI data in general.
>
> As an example, this plays Middle C:
>
> echo "90 3C 7F" | midicat --hex --port "TiMidity"
>
> The --hex option makes things more human-readable: standard input and
> output are hex digits, separated by spaces, instead of just raw binary data.
> The --port option has the usual ALSA sequencer meaning. Change it to
> target your synthesizer (I'm using the TiMidity softsynth).
>
> Here's another example for output (both of these commands block, so run
> them in two separate terminal windows):
>
> midicat --verbose --hex
> vkeybd --addr 129:0
>
> The --verbose option prints out some more useful information at startup,
> such as the ALSA sequencer client:port number it got. That can later be
> passed into another program, such as vkeybd. If you play notes with
> vkeybd, you see the corresponding MIDI data appear on standard output.
>
> Standard input and standard output can both run at the same time (it's
> multithreaded).
>
> Here's some more elaborate examples:
>
> MIDI "panic button", sends "All Sound Off" to each channel:
>
> perl -e 'use bytes;for($i=0;$i<16;$i++){print
> chr(176+$i).chr(120).chr(0);}' | midicat --port "TiMidity"
>
> Another MIDI "panic button", sends individual "Note Off" commands:
>
> perl -e 'use bytes;for($i=0;$i<16;$i++){for($j=0;$j<128;$j++){print
> chr(128+$i).chr($j).chr(127);}}' | midicat --delay 10 --port "TiMidity"
>
> The --delay option inserts a slight delay between each MIDI command, to
> avoid flooding ALSA with too much data at once.
>
> Here's a fun one, sending random data into the MIDI subsystem and seeing
> what happens. DO NOT run this on a real synthesizer, there's the risk
> of composing a random SysEx command that could mess up your settings!
>
> It's fun to watch with aseqview(1):
>
> aseqview &
> cat /dev/urandom | midicat --delay 500 --port "MIDI Viewer"
>
> If you sent random data to a device that plays audio, you'll probably
> next want to use the "panic button" commands above...!
>
> Hope this illustrates some of the examples and possibilities. I'm
> working on writing some more documentation.
>
> The --help option is supported, there's a help output that shows you all
> of the available options.
>
> For now, the program is available here, on my Web server:
>
> http://krellan.com/midicat
>
> If you're interested, try it, and let me know what you think!
>
> Josh Lehan
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